Doktora Tezleri

Saadet Bozkurt, "Freedom and Identity in Henry Miller," 1973. 

Gülriz Büken, Psychological Doubles in Herman Melville's 'Bartleby, the Scrivener' and Billy Budd," 1973. 

Yalçın İzbul, The Fusion of Content and Form in the Poetry of E.E. Cummings," 1975.

Nilgün Anadolu Okur, “Toward A New Black Identity of Manhood as Reflected in Dramatic Works of Leroi Jones (Amiri Baraka),” 1984.

Selhan Savcıgil, "A Thematic Study of the Afro-African Religious Folk Songs in the Antebellum South," 1987.

Meldan Tanrısal, “New Journalism and the Nonfiction Novel: Creating Art Through Facts,” 1988.

Nur Gökalp, "Gay Problem Play: An Analysis of Homosexual Attitudes and Attitudes Toward Homosexuality in Three American Plays," 1988. 

Hurriyet Konur, "Quest for Personhood: An Analysis of Female Characters in Gail Godwin's The Perfectionists, Glass People the Odd Woman, Violet Clay," 1990. 

Nüzhet Akın. "Self Portrait in Color: Colors in John Lawrence Ashbery's Poems," 1990.

Bilge Mutluay, “The Hidden Self: The Theme and Categories of Invisibility in the Novels of Joyce Carol Oates,” 1991.

Perçem L. Yücer, “The Living Dead as Existentialist Beings: The Vampires in Anne Rice's The Interview with the Vampire, The Vampire Lestat and The Queen of the Damned,” 1994.

Ufuk Özdağ, “The Plays of Gertrude Stein in the Light of the Corpus Hermeticum and the Asclepius,” 1995.

Metin Boşnak, “The Old Eve in the New Eden: Demythologizing Woman as Demon in the Nineteenth Century American Fiction,” 1996.

Şerife Küçükal, “Margaret Fuller as A Pioneer Woman Writer of the Nineteenth Century: Departure from Male Culture, Myths and Ideology,” 1998.

Nesrin Eruysal, “Red Lions and White Lilies: Mysterium Coniunctionis (Spiritual Matrimony) in H.D. and Robert Duncan's Selective Poems in the Light of Jungian Psychology,” 1999.

Ayça Yetginer Germen, “A Link Across the Decades: The Poetry of Emily Dickinson and Robert Creeley,” 1999.

Muammer Şanlı, “Whitman the Shaman: Shamanic Journey in Walt Whitman’s ‘Song of Myself’ and ‘The Sleepers,’” 1999.

Bülent Akat, “The Rise of the Grotesque in the Historic Memory of the Southerner: The Fiction of Faulkner, McCullers, Welty and O'Connor,” 2000.

Aslı Özlem Tarakcıoğlu, “The Female Characters' Quest for Survival in the Plays of Eugene Gladstone O'Neill and Tennessee Williams,” 2001.

Cem Kılıçarslan, “The Holy Synthesis: Religion and Manliness in the Pragmatic Ideology of Hollywood,” 2003.

Kader Ekber Yılmaz, “Personalizing the Facts: An Analysis of the Autobiographical Strain of Literary Nonfiction in Norman Mailer’s Armies of the Night, Joan Didion’s The White Album and Michael Herr’s Dispatches,” 2004.

Arthur Jaupaj, “Re-presenting the American West and the Western in the 1960s: Thomas Berger’s Little Big Man, Ishmael Reed’s Yellow Back Radio Broke Down and E. L. Doctorow’s Welcome to Hard Times,” 2005.

Ceylan Ertung, “Alternative Worlds: Feminist Transgressions in Contemporary Science Fiction by American Women Writers,” 2007.

Zennure Köseman, “From the Way to Wealth to the Gospel of Wealth: The Transformation in the Concept of Success in American Literature,” 2008.

Ceylan Özcan, “Trauma Revisited: World Trade Center and the Guys as Empowering Representations of the Collective Trauma of 9/11,” 2008.

Özge Özbek Akıman, “Finding Out for Yourself or Poets Rewriting History: A Selection of Essays from the Post-World War II American Poetry,” 2009.

Saniye Çancı Çalışaneller, “Fact, Fiction-in-Fiction: Gore Vidal’s Historiographic Metafictions in The Narratives of Empire,” 2013. 

Pembe Gözde Erdoğan, “American Prime-time Monsters: An Analysis of the Gothic Other in True Detective, American Horror Story, Coven and True Blood,” 2014.

Merve Özman Kaya, “Identities Under Constructions: Iraq War, Life Writing and American National Identity,” 2015.

Emine Geçgil, “By Women, For Women, About Women: Social Novels of the Progressive Era, 1900-1920,” 2015.